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The grimaces began. The first face which appeared at the aperture, with eyelids turned up to the reds, a mouth open like a maw, and a brow wrinkled like our hussar boots of the Empire, evoked such an inextinguishable peal of laughter that Homer would have taken all these louts for gods.

A second and third grimace followed, then another and another; and the laughter and transports of delight went on increasing. There was in this spectacle, a peculiar power of intoxication and fascination, of which it would be difficult to convey to the reader of our day and our salons any idea.

Let the reader picture to himself a series of visages presenting successively all geometrical forms, from the triangle to the trapezium, from the cone to the polyhedron; all human expressions, from wrath to lewdness; all ages, from the wrinkles of the new-born babe to the wrinkles of the aged and dying; all religious phantasmagories, from Faun to Beelzebub; all animal profiles, from the maw to the beak, from the jowl to the muzzle.

Let the reader imagine all these grotesque figures of the Pont Neuf, those nightmares petrified beneath the hand of Germain Pilon, assuming life and breath, and coming in turn to stare you in the face with burning eyes; all the masks of the Carnival of Venice passing in succession before your glass,—in a word, a human kaleidoscope. The orgy grew more and more Flemish. Teniers could have given but a very imperfect idea of it. There were no longer either scholars or ambassadors or bourgeois or men or women; there was no longer any Clopin Trouillefou, nor Gilles Lecornu, nor Marie Quatrelivres, nor Robin Poussepain.

All was universal license. The grand hall was no longer anything but a vast furnace of effrontry and joviality, where every mouth was a cry, every individual a posture; everything shouted and howled.

The strange visages which came, in turn, to gnash their teeth in the rose window, were like so many brands cast into the brazier; and from the whole of this effervescing crowd, there escaped, as from a furnace, a sharp, piercing, stinging noise, hissing like the wings of a gnat.

But we must do justice to our friend Jehan. He floundered about with incredible fury. His mouth was wide open, and from it there escaped a cry which no one heard, not that it was covered by the general clamor, great as that was but because it attained, no doubt, the limit of perceptible sharp sounds, the thousand vibrations of Sauveur, or the eight thousand of Biot.

As for Gringoire, the first moment of depression having passed, he had regained his composure. He had hardened himself against adversity. We shall see which will carry the day, grimaces or polite literature. It was far worse than it had been a little while before. He no longer beheld anything but backs. I am mistaken. The big, patient man, whom he had already consulted in a critical moment, had remained with his face turned towards the stage. Gringoire was touched to the heart by the fidelity of his only spectator.

He approached him and addressed him, shaking his arm slightly; for the good man was leaning on the balustrade and dozing a little. But be at ease! Your name, if you please? What do you think of it? Gringoire was forced to content himself with this eulogy; for a thunder of applause, mingled with a prodigious acclamation, cut their conversation short. The Pope of the Fools had been elected. That was, in fact, a marvellous grimace which was beaming at that moment through the aperture in the rose window.

After all the pentagonal, hexagonal, and whimsical faces, which had succeeded each other at that hole without realizing the ideal of the grotesque which their imaginations, excited by the orgy, had constructed, nothing less was needed to win their suffrages than the sublime grimace which had just dazzled the assembly.

Master Coppenole himself applauded, and Clopin Trouillefou, who had been among the competitors and God knows what intensity of ugliness his visage could attain , confessed himself conquered: We will do the same. We shall not try to give the reader an idea of that tetrahedral nose, that horseshoe mouth; that little left eye obstructed with a red, bushy, bristling eyebrow, while the right eye disappeared entirely beneath an enormous wart; of those teeth in disarray, broken here and there, like the embattled parapet of a fortress; of that callous lip, upon which one of these teeth encroached, like the tusk of an elephant; of that forked chin; and above all, of the expression spread over the whole; of that mixture of malice, amazement, and sadness.

Let the reader dream of this whole, if he can. The acclamation was unanimous; people rushed towards the chapel. They made the lucky Pope of the Fools come forth in triumph.

But it was then that surprise and admiration attained their highest pitch; the grimace was his face. Or rather, his whole person was a grimace. A huge head, bristling with red hair; between his shoulders an enormous hump, a counterpart perceptible in front; a system of thighs and legs so strangely astray that they could touch each other only at the knees, and, viewed from the front, resembled the crescents of two scythes joined by the handles; large feet, monstrous hands; and, with all this deformity, an indescribable and redoubtable air of vigor, agility, and courage,—strange exception to the eternal rule which wills that force as well as beauty shall be the result of harmony.

Such was the pope whom the fools had just chosen for themselves. One would have pronounced him a giant who had been broken and badly put together again. When this species of cyclops appeared on the threshold of the chapel, motionless, squat, and almost as broad as he was tall; squared on the base , as a great man says; with his doublet half red, half violet, sown with silver bells, and, above all, in the perfection of his ugliness, the populace recognized him on the instant, and shouted with one voice,—.

Quasimodo, the one-eyed! Quasimodo, the bandy-legged! I thought that it was a man. Such a fright as I had! Once he left a broom on my leads. The men, on the contrary, were delighted and applauded. Quasimodo, the object of the tumult, still stood on the threshold of the chapel, sombre and grave, and allowed them to admire him. One scholar Robin Poussepain, I think , came and laughed in his face, and too close. Quasimodo contented himself with taking him by the girdle, and hurling him ten paces off amid the crowd; all without uttering a word.

Holy Father! You would deserve to be pope at Rome, as well as at Paris. So saying, he placed his hand gayly on his shoulder. Quasimodo did not stir. Coppenole went on,—. How does it strike you? Then there was created around that strange personage, a circle of terror and respect, whose radius was at least fifteen geometrical feet. An old woman explained to Coppenole that Quasimodo was deaf. Good-day, Quasimodo! And what does this Polyphemus do with his tongue?

He is not dumb. He knows what he lacks. Quasimodo allowed them to array him in them without wincing, and with a sort of proud docility. Then they made him seat himself on a motley litter. Twelve officers of the fraternity of fools raised him on their shoulders; and a sort of bitter and disdainful joy lighted up the morose face of the cyclops, when he beheld beneath his deformed feet all those heads of handsome, straight, well-made men.

Then the ragged and howling procession set out on its march, according to custom, around the inner galleries of the Courts, before making the circuit of the streets and squares. We are delighted to be able to inform the reader, that during the whole of this scene, Gringoire and his piece had stood firm.

His actors, spurred on by him, had not ceased to spout his comedy, and he had not ceased to listen to it.

He had made up his mind about the tumult, and was determined to proceed to the end, not giving up the hope of a return of attention on the part of the public. This gleam of hope acquired fresh life, when he saw Quasimodo, Coppenole, and the deafening escort of the pope of the procession of fools quit the hall amid great uproar.

The throng rushed eagerly after them. In the twinkling of an eye, the grand hall was empty. To tell the truth, a few spectators still remained, some scattered, others in groups around the pillars, women, old men, or children, who had had enough of the uproar and tumult. Some scholars were still perched astride of the window-sills, engaged in gazing into the Place.

They are few in number, but it is a choice audience, a lettered audience. An instant later, a symphony which had been intended to produce the greatest effect on the arrival of the Virgin, was lacking.

Gringoire perceived that his music had been carried off by the procession of the Pope of the Fools. He approached a group of bourgeois , who seemed to him to be discussing his piece. This is the fragment of conversation which he caught,—. La Esmeralda in the Place! This word produced a magical effect.

La Esmeralda? He returned towards the marble table, and saw that the representation had been interrupted. It was precisely at the instant when Jupiter should have appeared with his thunder. But Jupiter was standing motionless at the foot of the stage. Is that your part? Come up! Gringoire looked. It was but too true. All communication between his plot and its solution was intercepted.

Then he beat a retreat, with drooping head, but the last in the field, like a general who has fought well. They are engrossed by every one, by Clopin Trouillefou, by the cardinal, by Coppenole, by Quasimodo, by the devil! And I! It is true that Homerus begged through the Greek towns, and that Naso died in exile among the Muscovites.

But may the devil flay me if I understand what they mean with their Esmeralda! What is that word, in the first place?

Night comes on early in January. The streets were already dark when Gringoire issued forth from the Courts.

This gloom pleased him; he was in haste to reach some obscure and deserted alley, in order there to meditate at his ease, and in order that the philosopher might place the first dressing upon the wound of the poet.

Philosophy, moreover, was his sole refuge, for he did not know where he was to lodge for the night. After reflecting a moment, temporarily sheltered beneath the little wicket of the prison of the treasurer of the Sainte-Chappelle, as to the shelter which he would select for the night, having all the pavements of Paris to choose from, he remembered to have noticed the week previously in the Rue de la Savaterie, at the door of a councillor of the parliament, a stepping stone for mounting a mule, and to have said to himself that that stone would furnish, on occasion, a very excellent pillow for a mendicant or a poet.

He thanked Providence for having sent this happy idea to him; but, as he was preparing to cross the Place, in order to reach the tortuous labyrinth of the city, where meander all those old sister streets, the Rues de la Barillerie, de la Vieille-Draperie, de la Savaterie, de la Juiverie, etc. This sight revived the pain of his self-love; he fled. In the bitterness of his dramatic misadventure, everything which reminded him of the festival of that day irritated his wound and made it bleed.

He was on the point of turning to the Pont Saint-Michel; children were running about here and there with fire lances and rockets. To the house at the head of the bridge there had been affixed three small banners, representing the king, the dauphin, and Marguerite of Flanders, and six little pennons on which were portrayed the Duke of Austria, the Cardinal de Bourbon, M. The rabble were admiring. A street opened before him; he thought it so dark and deserted that he hoped to there escape from all the rumors as well as from all the gleams of the festival.

At the end of a few moments his foot came in contact with an obstacle; he stumbled and fell. The islet appeared to him in the shadow like a black mass, beyond the narrow strip of whitish water which separated him from it. One could divine by the ray of a tiny light the sort of hut in the form of a beehive where the ferryman of cows took refuge at night. Mordene i Kongo m Movie. Murder, My Sweet 95m Movie. Climax 96m Movie. Sabrina m Movie. In Echo Park 80m Movie. Streaming content may count against your data usage.

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Genre: AnimationDramaFamily. Huncjback HD. For hunchback of notre dame online free, everywhere, everydevice, and everything. When becoming members of the site, you could use the full range of functions and enjoy the most exciting films. We will send a new password to your email. Please fill your email to form below. The Hunchback of Notre Dame Trailer. When Quasi defies the evil Frollo and ventures out to the Festival of Fools, the cruel crowd jeers him. Rescued by fellow outcast the gypsy Esmeralda, Quasi soon finds himself battling to save the people and the city he loves. You May Also Like. HD Nakitai watashi ha neko wo kaburu. Hunchback of notre dame online free Scoob! HD Weathering a song of ice and fire wikipedia the free encyclopedia You. HD Promare. HD The Hunchback of notre dame online free. HD Hello World. HD Mosley. HD The Wishmas Tree. Remember me Forgot password? Not a member yet? hunchback of notre dame online free Watch The Hunchback of Notre Dame () online for free on Movies. In 15th-century Paris, Clopin the puppeteer tells the story of. The Hunchback of Notre Dame. Trailer. When Quasi defies the evil Frollo and ventures out to the Festival of Fools, the cruel crowd jeers him. Rescued by. Watch The Hunchback of Notre Dame () Online Free, Watch The Hunchback of Notre Dame () Full Movie Online, Watch The. The Hunchback of Notre Dame () Disney Movie Full Movie Watch Online IN HD Print Quality Free Download, Full Movie The Hunchback of. The Project Gutenberg EBook of Notre-Dame de Paris, by Victor Hugo This eBook or online at devsmash.online Title: Notre-Dame de Paris The Hunchback of An individual who was standing beyond the railing, in the free space around. Start your free trial to watch The Hunchback of Notre Dame and other popular TV shows and movies including new releases, classics, Hulu Originals, and more. Watch The Hunchback of Notre Dame in full HD online, free The Hunchback of Notre Dame streaming with English subtitle. a.k.a. Notre-Dame de Paris. Table of Contents. The Hunchback of Notre Dame (​Fiction, , pages). This title is not on Your Bookshelf. [. Read “The Hunchback of Notre Dame”, by Victor Hugo online on Bookmate – The Free. The Hunchback of Notre Dame (French: Notre-Dame de Paris) is an​. Registration complete. We will send a new password to your email. Coach Carter. Novels and Novelists Quiz. Remember me Forgot password? Please turn off your Adblocks to watch it without any trouble. Of All Time. That night Phoebus tries to persuade Esmeralda to sleep with him. Hugo identified Gothic architecture as the bearer of the cultural heritage of France and argued that, as such, it should be protected. Images from the novel especially images of the cathedral became known to individuals at all levels of society. Your email is only visible to moderators. Please help us to describe the issue so we can fix it asap. Eps 7 HD Agents of S. Films Complets. The Hunchback of Notre Dame hunchback of notre dame online free